This is a piece I executive produced (along with Lt. Col. Bob Grass and Shanon Glezen) for the Marine Corps Mobilization Command (MOBCOM). The goal of the piece is to help further educate Marines, Sailors, and their families about the Return and Reunion process associated with being an involuntary recalled reservist.
Directed and written by Greg Smith
Written by Brent AltomareJacob, Dominic, and Ciani from Whirlwind Action came by the studio to discus an upcoming project. Bill had the RED ONE set up on the stage, so of course we had to see some moves in 120 frames per second!
A few caveats about this footage: we just turned on whatever lights happened to be set up, so the image is under lit (the RED was set to 1000 ISO), and if anyone ever sent me video like this and asked me to key it, I would beat them over the head with a KinoFlo.
Written by Brent Altomare
One of the advantages of video is it’s ability to help explain extremely complex concepts. Below is a movie from Semiconductor Films, which shows us visually how magnetic fields interact with the world around them. Had you just listened to the physicists describe the interactions, you’d be completely lost (unless you were a physicist yourself), but having the visuals makes it much more clear.
As an added bonus, the filmmakers incorporated actual VLF audio recordings as sound design elements. This sound design drives the visuals and ultimately creates a stunning, hyper-real mini-documentary.
Magnetic Movie from Semiconductor on Vimeo.Safe internet shopping generic viagraeng
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This is real love of movie making. These kids started making this film when they were 12 years old.
If you can, go see the film on Thursday, July 10. 8 PM at the Museum of Contemporary Art, San Diego
Written by Brent AltomareOK… the photoreal stuff is fine and all, but if you want my opinion, this is animation that shines.
What a feeling, indeed! (via GeekDad)
Written by Brent AltomareAnd if you’re expecting a post about Will Smith saving the galaxy, stop here.
However, the following is an amazing animation by Chris Koelle based entirely on the memoirs of Army Specialist Colby Buzzell from his time in the Middle East.
It may be the most intense and “real,” 4 minutes and 30 seconds of your day.
“Men In Black”
What I dig most about this is how well it blends the two worlds of the graphic novel and filmmaking. I mean, flipping through a well done comic book is pretty much like looking at storyboards…but what Koelle found was the “subtext” in each image; what needs to be in focus, what do we “dolly” in, how would the camera move in this shot if bullets suddenly start flying around in the frame, and how does that effect the narrative?
But I also appreciate the poignancy of the work…it’s not this baroque, Michael Bay action flick shot on a soundstage in 35mm. Such a strategy would romanticize these experiences—which I think in some sections the artist resorted to strategies used in these kinds of films (at one point he even uses the patented Michael Bay “time-remapped camera pan as the world explodes around you”).
While the “comic book” aesthetic has worked before for other wartime / apocalyptic stories, being based on actual memoirs makes the visuals feel less like a comic book and more like something Specialist Buzzell could’ve sketched beside his journal, that suddenly sprung to life and began careening out of control in cadence with the war around him.
Storytelling via “still” frames has come a long way since Chris Marker’s “La Jetee” (the 1962 inspiration for “12 Monkeys”). This, though, has that same sense of “aura” that i felt was imbued in Chris Marker’s archetypical work.
Written by Brian Kim
